Supernova...take three

Well... Supernova needed more than I had thought! His new head (shown in "Supernova...take two") was too large by about 1/4". That doesn't sound like a lot, but it made a huge difference. And once I had sculpted him a new head to the correct scale, I realized that his neck was much too thick and large. And once I fixed his neck, I realized that the rest of his body was also much too wide. So I removed a ton of Apoxie (resulting in an incredibly dusty studio!) and resculpted nearly the whole thing. Again.

I also had to move his right foreleg back, which finally sorted out a number of issues I had been having (back appeared too long but measured OK, chest was messed up, etc.) And I had to cut all his legs up and correct the lengths and angles. At least he's back in one piece now! His legs still need a ton of resculpting as the muscles and tendons aren't correct right now.

I gave him a new tail, this one is all flippy and fun! I will still need to fill in some areas as it will be extremely difficult to cast as it is now. He has a new mane that I want to add some more flippy-ness to as well.

As you can see I got blue apoxie this time around! I also got pinkish, but I like the blue better. These colors were on sale, so I figured I would give them a try. They seem pretty similar to the normal "natural" Apoxie, but maybe with slightly less of a tendency to "pull", which is definitely a good thing. I was trying to use the blue on his mane/tail/eyes (and eyelashes!) but I didn't remember to bring the natural with me on vacation, so if I want to work on him now he will have to lose his fancy color scheme!

Supernova does have a web page now, although it's rather bare. It is at http://maggiebennett.com/supernova.htm

Oh, one more thing--Happy Holidays!

Finishwork update

I've been doing a lot of painting recently and I thought I ought to share some of it with you! Bear with me if the formatting is a little odd here, Blogger seems to have changed since my last post!

This is a commissioned Zim to black tobiano who went off to Australia yesterday; this one took a lot longer than I had expected because every time I thought I was finished I would see something that looked a bit too "flat" or otherwise off. He has many, many layers of shading that unfortunately don't really show up well in photos.






This Zim, in silver dapple sabino, was immense fun to paint and I am enormously satisfied with him. He has a very deep, rich color which the light mane and tail and the sabino markings really set off. He has already made it home to his owner!

This palomino Cooper I painted as a sales piece (he is available now, $425 ppd, please email me at maggie@maggiebennett.com to purchase!). I have historically had difficulty with palominos when I was using pure pigments. I used a combination of airbrush, hand painting, and pigments on this guy and he turned out beautifully. He has layers of metallics through his coat that give him a gorgeous shimmering depth that changes as you move him. He also has very subtle dapples on his barrel.

Stuff on my workbenches

And yes, it is just "stuff"! Today you get to see a bit of how messy my workbenches are. This is pretty much the normal state of things, unfortunately. About once a month I clear everything off and start again, especially on the painting desk (the sculpting one tends to accumulate more papers, and I only have to worry about dust on the sculpting one, not overspray from the airbrush).

This is my sculpting desk. It's also where my computer normally lives, so this is where I do email, find reference photos, update this blog, etc. See that small semi-cleared space in front of the computer? That's where sculptures in progress go while I'm working on them!

This is exactly how the desk looks right now, I didn't clear anything off it for the photo. Supernova is off to the right, having been beheaded last night (his head was too large; I'm going to discuss that in another post). The roll of toilet paper is used for packing models for shipping. You can see my two lamps; the fluorescent one on the left gets moved over to the painting table when I'm painting. The painting table is off to the left, and the curly red hose underneath the desk runs from my compressor in the closet to the airbrush.


This is my painting bench. I didn't do any painting over the weekend, but I did pull some horses down to check them over. That's why there are three horses on the bench--normally only the one that I am working on is there and the rest are up high on shelves. I'll also have to clean this bench up before I get back to painting today, as it's simply too crowded with all the paints and stuff. The two horses that are actually on the desk are Haidar (who I repainted a large portion of and is almost ready to go) and a commissioned Zim (also almost done!).

You can also see my extra monitor, which I use for reference photos while I'm painting, and my two lights (the third is on my sculpting desk right now). The shelf thing on the right rear usually holds paints but is currently mostly empty because I need to clean stuff up; the bins under the desk also hold paints as well as some sculpting supplies like sandpaper and some other random stuff. The shallow bins on top of the desk (back left) hold powdered pigments.

Oddly (or maybe not) the rest of the house is far neater. I try to keep all my mess in the studio with varying degrees of success!

Supernova...take two

I have been pretty busy lately, between commissions and some sculpting, that I just haven't managed to get photos up here! This week was so rainy that I couldn't really paint--the paint just wouldn't dry and I was getting frustrated, plus with the blowing wind I couldn't spray outside. So, I sculpted! Last week I finished and sent off a bunch of micro minis, this week I started working on a traditional who you've seen before if you read this blog (or maybe at Breyerfest).

Supernova, in his non-hardening clay form, had gotten to the adding details point. He is/was very near the point where I need to make a mold and cast him so that I can continue refining him and finish him up. However, when I moved I had to throw out my resin because the bucket broke and one part spilled, so making a mold would require ordering more resin (and probably more rubber as well). Then once the mold is made, it's a tedious process cleaning up the resin casting just to get it back to where I was before making the mold. This is why I pay someone else to do my molds and castings for the production runs--I am perfectly capable of making a mold that will work, but without equipment like a spin-caster it's difficult to get good castings.

Since I was reluctant to make a mold, I decided to do the next best thing. I resculpted Supernova from scratch in Apoxie Sculpt.

This hasn't been as difficult as you might think--since I already have the plasticine version here, I can take measurements off of that and use it as a model. This helps to eliminate some of the major problems with working directly in epoxy, and I am hoping that I will be able to keep the cutting or grinding off and resculpting of major body parts to a minimum. So far I've pretty much just got Apoxie globbed on; there will be much sanding and building back up yet to do. It's still time consuming, but I'm not sure that it's any more time consuming than making a mold and it does cost much less in materials!

A drastic custom

Meet "Haidar"!

I haven't done too terribly many CMs, but I recently acquired even more bodies than I already have, and I suppose it's time to do something with them! This guy I got in a trade a few weeks ago, and the original model immediately caught my eye as one with much potential.

I resculpted every surface--nothing of the original contours remains.

He's not quite finished in these photos; I need to finish his hooves and mouth.

His head is all Apoxie--there wasn't really much to work with in the original!


Can you guess who he started out as?

Bay rabicano Cooper for sale

This handsome boy is up for sale now! Photos are up at http://maggiebennett.com/gallery/Bay_Rabicano_Cooper.htm. He's $500 including postage.



Yesterday and today have been spent mostly in sculpting, with only a bit of painting thrown in. I'm working on Twist and Shout ("Mr. Drama" from before) and micro minis, mainly, with a tiny bit done on Zap as well. It's just about time for Twist and Shout to get critiqued, and I'm sure I'll have plenty more to do on him once some more eyes have looked at him.

Completed commissions

Woo! I am finally moved in to the new house, although I'll probably be unpacking and finding stuff for years to come. I now have a room dedicated as the studio, which has been wonderful--at last, I have a desk just for painting! And shelf space to get in-progress stuff up off the desk and out of the way! It is delightful.

I also finally bought an airbrush last week, which has been quite an eye-opener. It makes some effects that I had been struggling with much easier, and I can tell it's going to be an immense help. Of course, it can't do everything--and I wouldn't try to make it--but for what it does do it's pretty cool. When I first picked it up it was like learning to write all over--it's a very different feel from a paint brush, and requires different muscles and techniques to use it.

I just finished and mailed out two commissions, both portraits and both bay although quite different in their own ways--an Abel and a Cooper (pictured above). I am very pleased with both of them and hope their new owners are as well!

That brings me to another point--I am now accepting commissions for finishwork! I've put some details up at http://maggiebennett.com/finishwork.htm. As you can see from the two horses here I am happy to do portraits! I do still have a few Shah Azims and Abels, as well as Cooper, so if you're looking to get any of those painted I can supply the resin as well. Just drop me a note and let me know what you'd like!